On View Now at 8 Jobs Lane!
We are thrilled to launch our first Storefront Art Project with artist Alice Hope and her new installation Priceless. Click HERE for more about Alice’s work.
Located in the former Chico’s at 8 Jobs Lane, PRICELESS is a multimedia installation made with accordioned chromed coat hangers, strung can tabs, and shopping tags. So come take a stroll in the village and check out the first of a potential series of window art installations.
Made possible, in part, thanks to the Long Island Community Foundation.
Southampton Arts Center is thrilled to announce phase two of their Public Art Project, launched this past summer. In these colder months, SAC will work with Southampton Village landlords and property managers with vacant shops to animate their windows with dynamic art installations featuring East End artists. Inspired by the new legislation by the Village of Southampton requiring window displays in vacant stores, SAC’s first Storefront Art Project, with the support of the Long Island Community Foundation and the help of Morley Property Management, features artist Alice Hope and her new project “Priceless”. The window installation which was completed on November 3 will remain on view for up to 6 months or when the shop is once again occupied, as per the requirements outlined by the Village.
Located in the former Chico’s at 8 Jobs Lane, ALICE HOPE: Priceless is a multimedia art installation made with accordioned chromed coat hangers, paper price tags, and strung can tabs. Of the project, Artist Alice Hope says “While assembling this installation, my query has been: What’s priceless? I hope for this unanswered question to be the subject of this installation, my first in a store front. In our commodified world and in this commodified discipline, where value equates success, I’m aspiring to transform tens of thousands of blank price tags, a vast population of ephemera, into evanescence.”
“Alice’s dynamic work is incredibly eye-catching and beautiful. She is the perfect artist to collaborate with on this first window of the Storefront Art Project. Though we certainly would prefer to see the shops filled with tenants, we are very happy to participate in the beautification of Southampton Village with this and hopefully additional installations.” says SAC Artistic Director Amy Kirwin. “We are confident people will be drawn to the Village to stroll through and enjoy the windows, and at the same time do some shopping, dine in the restaurants, and of course our visit our galleries.”
About Alice Hope
Alice Hope was named New York’s 2018 “Woman to Watch” by the National Museum of Women in the Arts. She holds an M.F.A. from Yale University, and shows at Ricco Maresca Gallery in Manhattan and Tripoli Gallery in East Hampton, NY. Alice has created numerous public and residential commissions, among them a large-scale magnetic installation, “Under the Radar”, in 2012, at Camp Hero State Park in Montauk, NY for the Parrish Art Museum. She often incorporates binary code and repetition in her compositions.
In her 2013 Armory Show Project, Alice was commissioned by the Fair to create two public works; one panel innumerably repeated the binary code for the word “love”, and the other repeated the code for “blind”. In 2013, she inaugurated WNYC Greene Space’s new lobby, where she installed a dense site-specific work with thousands of neodymium magnets and pieces of ball chain.
She was an artist in residence at the Museum of Art and Design from 2014-15, and then built a six-month site-specific installation outside the Queens Museum with more than a million used can tabs. This work was part of a wider project that reckoned the used can tab’s fluctuating value and meaning, in continually changing contexts. In 2018, she had a one person show at Guild Hall in East Hampton, NY, and the National Museum of Women in the Arts, in Washington DC had three of her installations on view. In 2018-19, she facilitated an all school / all year social practice piece that culminated in an interactive and public gallery show. In 2019, she was commissioned by Art in Embassies to build a permanent site-specific installation, with hundreds of thousands of used can tabs and marine netting, for the new U.S. Embassy lobby in Maputo, Mozambique. In 2020 she initiated Tripoli Gallery’s residency program and had the first person show in the gallery’s new space. Alice has shown her work previously at Southampton Arts Center as part of Radical Voice: 23 Women and the Public Art Project.
Alice is working on two public exhibitions and one gallery show for 2021, which continues her focus on the can tab, as her work’s subject, object, and material. About which she states: “The used can tab can be looked at from a multiplicity of perspectives – that its proportion is in the Golden Mean like the Parthenon; that it’s a tool – a lever; that it’s trash; that it’s an icon; that it’s an anti-phallus with its equal negative and positive space; that as a floor plan it emulates Renaissance cathedrals with its apse and nave; its ergonomics; its timed obsolescence; its demographically democratic use – but in my work I focus on the used tab as a relic of consumption and as a token for redemption.”
www.alicehope.com / email@example.com / @alice___hope
Installation photographs by Jenny Gorman.
Curated by Amy Kirwin Programmatic Partners include Peconic Land Trust, South Fork Natural History Museum, Oceana and the Peter Matthiessen Center. This timely exhibition will feature artists who use their talents to focus on environmental conservation and activism, whether through fine art, upcycling, photography, film, music, prose or other forms of artistic expression. Exhibiting artists will hold workshops throughout, poignant panel discussions will be organized with the presenting partners, plus special film screenings including the sensational Fantastic Fungi. The intention of eARTh is to create a beautiful message about the state of our precious earth in a way that all can understand and appreciate. Artists include Roisin Bateman, Kristian Brevik, Scott Bluedorn, Megan Chaskey, Erica Cirino, Rossa Cole, Janet Culbertson, Thomas Deininger, Alejandro Duran, Jim Gingerich, Mamoun Friedrich Grosvenor, John Haigney, Kara Hoblin, Michael Light, Pamela Longobardi, Christa Maiwald, Tucker Marder, Janine Martel, Steve Miller, Patricia Paladines, Aurora Robson, Cindy Pease Roe, Lauren Ruiz, Anne Seelbach, Kathryn Szoka, and Diane Tuft, plus a special project by the members of the South Fork Natural History Museum’s Young Environmentalists program. Cover Art: Kara Hoblin
Conceived and Curated by Paton Miller Presenting Sponsor: Ingrid Arneberg and Will Marin East End Collected draws attention to the large population of artists living in the region and reflects Paton Miller’s vision of the East End as an ideal environment for artists to create work. In this sixth iteration of the popular exhibition, Miller continues with the intention of never showing the same artist twice. Since its 2015 launch, the EEC series has featured over 200 individuals. Through this exhibition, Paton Miller celebrates 34 new artists and further establishes Southampton Arts Center as a home where the East End arts scene continues to thrive. EEC6 Artists include Linda K. Alpern, Mary Boochever, Deborah Buck, Dominic Cantasano, Isadora Capraro, Philippe Cheng, Joe Chierchio, Jerry Cooke, James Croak, Noel de Lesseps, Mary Delaney, John Dios, David Geiser*, Melody Guini, Candace Hill, Dennis Lawrence, Christine Matthai, Gerald Monroe, Ryan Moore, Shimon Okshteyn*, Zach Osif, Patrick Peters, Leila Pinto, William Quigley, Doug Reina, Bastienne Schmidt, Christine Sciulli, Anne Seelbach, Agathe Snow, Kevin Teare, Catherine Van Milders, Maria Vasconcelos, Linh Vivace, Charles Waller*, Claire Watson, Carol Weinberg, Suzanne Wetanson, and John Whelan. This year we pay tribute to three East End Collected alums we lost in the past year, David Geiser (EEC1), Charles Waller (EEC2), and Shimon Okshteyn (EEC4).